Indebtedness: Die Haftung der Geschenknehmenden Event

Miriam Stoney
“Indebtedness: Die Haftung der Geschenknehmenden”
March 26 – May 15, 2021
OPENING DAYS
Fri, March 26 + Sat, March 27
from 3-7 pm
Performative activation by the artist at 3.30, 4.30, 5.30, 6.30 pm
(audible from outside)

Due to COVID-19 restrictions we only allow a maximum of 2 people inside the exhibition space (FFP 2 masks are mandatory).
Please always keep a safe distance to others and avoid crowds!

Aufgrund der COVID-19 Maßnahmen können wir bloß eine maximale Anzahl von gleichzeitig 2 Besucher*innen in unseren Räumlichkeiten erlauben. (FFP2 Masken sind verpflichtend).
Bitte achtet auf einen sicheren Abstand zu anderen.

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Kunstverein Kevin Space is pleased to announce “Indebtedness: Die Haftung der Geschenknehmenden,” a new project conceived by Vienna-based writer Miriam Stoney. Often working collaboratively and primarily textually, Stoney’s practice includes writing, performance, audio and installation while defying easy categorization or fixation.
“Indebtedness: Die Haftung der Geschenknehmenden” marks the first exhibition project by Stoney and manifests as an expanded writing practice and an exercise in non-linear story-telling as well as vernacular idioms and idiosyncrasies to explore subjective, inter-generational and gendered historiography. Text, photography, sculpture and sound here tangibly negotiate fine lines between nostalgia, critical historicity and attempts to reinstate alternative models of reality for the present and future.
The title of the exhibition encompasses the double-meaning of indebtedness as interdependencies that are both culturally and economically rooted. It aims at a growing immobility between classes that is incited particularly sinisterly in the United Kingdom, although an expanding culture of debts can be experienced throughout the European mainland. Indebtedness also points to an intersectional self-reflection of being part of a diaspora as well as to the phantom limb of inherited family traumas, that are both deeply personal but also intergenerationally and historically ingrained.
Departing from “Scunthorpe Correspondences,” a dialogue between Stoney and Tom Glencross, a UK-based writer and friend, that was conceived and published in the given framework, this exhibition is set alongside the struggles of the working-class in Scunthorpe, where both authors grew up. Once a symbol for prosperity and wealth, the town in northern England now faces widespread precarity and disenchantment due to the decline of the steel industry and deregulating, globalizing processes. This conversation interrelates Stoney’s family’s trajectory with larger colonial histories of the UK and the Partition of Pakistan and India in 1947.
Miriam Stoney (b. 1994, Scunthorpe, UK) lives and works between Vienna and London. Stoney studied at the University of Oxford and the Bartlett School of Architecture, UCL, and is now enrolled at the Academy of Fine Arts Vienna. Her work has been featured in the programmes of: ICA London, BBC Introducing Arts, Somerset House Studios London, Centre Pompidou x West Bund Museum Shanghai, KW Institute for Contemporary Art Berlin and Haus Wien.