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SUBOTRON electric MEETING : custom built interfaces and gender

Bildende Kunst Zeitgenössische Kunst Performance
➜ edit + new album ev_02vvC3CdMc56DyBIgsP0R9
1 Termin
Dienstag 27. März 2018
27. März 2018
Di
19:00
SUBOTRON electric MEETING : custom built interfaces and gender
Raum D - QDK, MQ electric avenue quartier21 1070 Wien, Museumsquartier

Eintritt frei !

The experts will not only talk about game-interfaces in general, or game ‘operation’, but the two very different ways they approach joystick mods in relation to their work. They will discuss this complex and serious subject of gender and interface also giving some hilarious examples from ‘the scene’.

sister0 (AUS)

sister0 gives a brief intro to her paraphernalia; a set of self-crafted game pads that are hacked into electronic-performance tools for a performance. She describes her project and how it opens a pathway for a larger proposal that asks; What are the ways in which we can engineer interfaces that validate the circulation of subjugated knowledges? Since developments in the gaming industry are very much geared towards a male dominated audience, sister0’s modification of the typical gaming hardware i.e. gamepad mods draw upon the history of paraphernalia, and its feminine roots.

Walter Langelaar (NL)

Walter will discuss several examples ranging from literal and cultural hacks of contemporary (video)game interfaces and spatial semiotics, gameplay and environments, modes of interactivity, and character identity and gender configurations – the starting point being his own recent work ‘n0tb0t’, an ominous phallic shift described by Julian from Selectparks as such: “Walter Langelaar’s n0tb0t antagonises conventions of games as slave to our control. n0tb0t decouples the user-agent from the input chain, leaving just a joystick thrashing about in response to every twist and turn of a bot rampaging through
a stock QuakeIII level. My first impression of n0tb0t was of a haunting: an AI that would take no more, fighting back at the input device in an urgent attempt to disenfranchise itself from a history of bondage.”

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